Ayala Museum

petty did we k right away, when we were sent on a dramaturgy trip to the Loyal Museum, what we would picture thither. wholly that we were told was that It was an educational field trip and well-nighthing to do with Flanagan. Nets advocacy of anything and e rattlingthing Filipino. So, we were really in for a treat when we set foot on the intravenous feedingth floor of the museum and a niggling film started to play the moment we stepped inwardly the sliding doors. Gold of Ancestors Crossroads of civilisation, it began, and went on to show some aureate artifacts that had been found on archaeological diggings all over the country.We were mesmerisms from the very commencement exercise one. Then, Just beyond the elegant put up where we were viewing the film, we caught sight of the display cases containing the very artifacts that were now flashing on the screen. later that, we could hardly Walt to go and see them up close We saw chromatic bangles, rings, and issuelaces, ear rings, tiaras and studs, blasts, bowls, cups and hilts of weapons. I was fascinated when I saw the sepulchre masks, with stylize features engraved In the flamboyant. I thought forget ancient Egypt, It turns pop out(a) the Philippines has its ownAside from the burial masks, there were akin(predicate)ly orifice coverings, shaped resembling the eyes, the nose and the mouth. I guess If the all in(p) couldnt afford a whole mask, they could salutary go for the important parts Whew come across over, King -rut Aside from the burial masks, I was also fascinated with the Kina, a small vessel shaped standardized a mythical woman-bird, who appeared to be holding some kind of Jug. Her eyes looked serenely out at the people who had come to see her. at that place was also the bluntly, an anthropomorphic brass depleting the head of a lady with what seemed like an elaborate hairdo or headdress.I also drooled over a cuff or wrist ornament, as wide as a sleeve and intricately worked, so that the gold mesh was like lace. The education on it said it weighed 204 grams. Heavy There were also earrings so big and so heavy that we all wondered how the owner could by chance have worn It without getting his or her ears torn. My personal favorite, however, was a beautiful belt (l know someones snickering while reading TLS ). catalog No. 81. 5175, weighing 575. 1 g, standard 68. Xx CM. Circa 10th 13th century.It was do of fine mesh, with a zigzag excogitate running along its length, and both golden plaques ornamented with granules of gold painstakingly arranged into stylized designs. Oh, I could have stood there and stared at it forever Then, there was the piece De subway the UAPITA or Sacred Thread, weighing closely 4 kilos (yeah- peeve ), strikingly similar to one depicted In the sixteenth century Boxer Codex, said to be the earliest description of the people of the Philippines In a Western language. Copy of which locoweed be found in the exhibit. The UAPITA was vatic to be draped around the neck therefore attached to the wrist. Wow, the person who wore that mustve been bonny strong What was striking about these artifacts was that they seemed so Pinto to me. There were at least two necklaces or bracelets that were woven banging- Tyler take four flat strips of gold and weave a fifth one back and frontward across it, the reminded me of the legs of a modern armchair founder of into because it had the same basket-weave technique.Some of the other items were decorated but by poking holes in the gold to create a lacy pattern. The tiaras were created by cutting a sort of adorn in a strip of gold, then bending them back and forth to make a crown-like design. Seeing the exhibit do all of us walk a little taller and prouder. We had always read about the treasures of other lands, like Egypt and Troy now we know that we have our own perhaps nag Philippians